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Description
guitar filter pedal Electro-Harmonix Blurst Modulated Filter Guitar Effects Pedal – Dr. Guitar MusicThe Blurst is a modulating filter, an effect often used on synthesizers but now designed with for the adventurous guitar player or bassist. It modulates your guitars sound like an envelope filter, but instead of the filters response being controlled by your playing dynamics, its controlled by an internal oscillator. The Blurst features an analog, low pass filter with adjustable resonance, three modulation waveform shapes, tap tempo and expression
The Blurst is a modulating filter, an effect often used on synthesizers but now designed with for the adventurous guitar player or bassist. It modulates your guitar’s sound like an envelope filter, but instead of the filter’s response being controlled by your playing dynamics, it’s controlled by an internal oscillator. The Blurst features an analog, low pass filter with adjustable resonance, three modulation waveform shapes, tap tempo and expression pedal control.
Whether used alone, in combination with other effects or controlled by an expression pedal, its effect is spellbinding. Power supply included.
Whether used alone, in combination with other effects or controlled by an expression pedal, its effect is spellbinding. Power supply included.
Features
- Knobs: Volume, Blend, Resonance and Rate, plus Range
- Switches: EXP MODE (range, rate and filter), Tap Rhythm select, waveform select
- Buttons: Tap and Bypass
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4.3 ★★★★★
Based on 1180 reviews
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Product Reviews
★★★★★ 5
captivating story..
Format: Kindle
Wow.. you’re at a photo shoot in the jungle and suddenly you’re being attacked by natives making a daring escape, jump in a waterfall, float down a raging river to the ocean. Find yourselves stranded on an island for 3 months Helen and Lana fell in love.
This was a captivating story, well told, Helen and Lana anguish felt real.
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Reviewed in the United States on February 15, 2026
★★★★★ 5
Loved this story
Format: Kindle
This is hands down one of the best books I've read. The plot was great, the characters were sexy, intense and just explosive. I did not stop reading until I finished the book. Was hoping for a better ending since it was such a wonderful book. When I saw it was reprinted I figured that was why due to the ending being rushed. I'm still giving 5 stats due to their chemistry and the intense love they shared on and off the island beyond their rescue. I just wanted more for them at the end, and the the loser husband to get what he deserved.I look forward to maybe a second book on their passionate love story.
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Reviewed in the United States on March 10, 2024
★★★★★ 3
DNF
Format: Kindle
I decided to read this based on another review here. I started skipping and couldn't finish it. The writing is good but the behavior of the MCs put me off at times. Our parents took us camping (not car camping) a lot through my teens and the lesson was, from my youngest age, if the excrement encounters the turbine, get your bearings, assess, make a plan, follow it -- no time for drama. There would always be time for a freakout once the situation was resolved. (And if it wasn't resolved, freaking out wouldn't be an option.)
Apparently, neither Helen nor Lana were ever taught that lesson because there's plenty of drama, and I lost respect for them. Worse, the drama continues with this endless back and forth right up to the very last page. I actually blinked. I've read rushed endings before, but this took the cake.
Overall, this is a portrayal of women that bugged me. It felt almost stereotype-y regarding being overly dramatic and unable to keep it together under stress. Maybe I just hit the bad parts, but I couldn't keep reading to find out, in case there were more, and the repeated drama after the rescue didn't give me hope.
Please, Sapphic authors, can we have more books celebrating feminine resilience? Cara Malone has a pretty good one about a bunch of shipwrecked queer women. We need more of that, and less of this.
I'm giving this book 3 stars because the writing is good and I didn't finish, so may have missed better parts.
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Reviewed in the United States on July 23, 2024
★★★★★ 5
If you can only afford one craft book on Dialogue, this one is it.
Format: Hardcover
The art of dialogue. How does a writer get it just right to be effective, yet original, dramatic but not too dramatic, captivating and satisfying, and most important of all convincing? The thrust of this book is how McKee spends time on characterizations and the art of the subtext—vital to thrilling and effective dialogue. McKee explains how subtext works, the thinking behind it, shows you its most effective moments, why it works well or poorly, and gives you the tools to make it work. The result: amazingly clear insight. No kidding, if you want to fully understand subtext in dialogue and sharpen your skills, this is the writing book to get.
Conflict in dialogue, turning points, even sentence designs techniques. McKee describes the “suspense sentence” and the “periodic sentence.” Because prose is a natural medium for storytelling, you will learn how Charles Dickens used ‘counter pointing exposition’ and its effectiveness for the reader. I hadn’t seen this kind of hook in writing before, hadn’t heard this term before. Very powerful technique; of course none of us writes like Dickens, but what an example on how to swoop the reader in.
What’s one of the takeaways in Dialogue by Robert McKee? “Quality storytelling inspires quality dialogue.” Which inspires a read of McKee’s other remarkable craft book “Story”—a great companion read as both books belong on any serious writer’s bookshelf.
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Reviewed in the United States on July 28, 2016
★★★★★ 5
It's All Right Here. All of it.
Format: Hardcover
I shouldn't even be writing this review because doing so only creates my competition. I'm writing it for Robert McKee out of respect and love for him as one of the best instructors I've never met. I have both STORY and now, DIALOGUE in hardcover, on my Kindle, and the audio version (he narrates his books) in my headphones. I read it, I listen to it and take it with me when I travel. Sometimes I listen and read at the same time. Most nights I listen to the audio version in my sleep. In other words, I eat, sleep and breathe this book. I did the same thing with Story, his other book. I may go to my grave never fully comprehending the vast wealth of knowledge contained in these two books. That's OK. What I can tell you is this. With nothing but STORY as my guide, my very first screenplay took seven months and thirty-five drafts from start to finish. But. That screenplay became a Hallmark Movies and Mysteries feature film. The producers liked it so much they gave me another assignment. That one took six weeks, and they bought the first draft. I'm now working on my fifth script; this one is in the six-figure category, with five figures upfront just for the Treatment. And I owe it all to everything I've learned from studying Robert McKee, supplemented by what I learned from everyone else. Over the past thirty years, I’ve studied with forty plus instructors and highlighted hundreds of books and listened to dozens of recorded seminars. All that information is summed up and thoroughly explained in Robert McKee's two books STORY and now DIALOGUE. I won't live long enough to absorb everything he teaches. And I still study two hours a day as a warm up for my writing. I’d recommend Aaron Sorkin, Warner Hertzog, William Goldman (both Sorkin and McKee say he's the greatest), Blake Synder, Chris Vogler, Michael Hauge, William Akers, and anybody else you can find who’s willing to share their knowledge. Because you never know when a concept you didn’t realize you didn’t understand or needed is going to show up. Especially when presented from a different perspective. Having said that, if you are serious, and I mean dead serious, about becoming a working screenwriter, or any other kind of fiction writer for that matter, then you have no choice but to study McKee like your literary life depends on it. Buy the hardcover, buy the Kindle version, and buy the audio version of DIALOGUE and STORY. And supplement these two works with any other material that speaks to you. If you do this, you will become a first class screenwriter or novelist or playwright, because all three genres are only different ways of presenting a Story. If you can’t commit to this, unless you’re a genius or prodigy, you’re wasting valuable time which could be spent following your true life calling. But if your heart’s desire is to become a working writer, then sooner or later you’ll have to know everything in McKee’s two books. So, you might as well bite the bullet and jump in head first. It's all right here in STORY and DIALOGUE. All of it. Thank you, Mr. McKee. You, sir, changed my life.-- Jimmy Hager
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Reviewed in the United States on September 21, 2016